Antonia

Antonia is a particularly intriguing and fascinating artwork that embodies the sin of gluttony in the reinterpretation of the seven deadly sins. The woman depicted is a clear homage to Holly, the famous character from the renowned film “Breakfast at Tiffany’s.” In the artwork, “Antonia,” a woman of great elegance, wears the iconic black dress with long gloves and a beautiful pearl necklace, which strongly allude to the film’s most iconic scene.  The artist’s contemporary reinterpretation captures the image evoked by the celebratory reference to the scene from which the film took its name, “breakfast at Tiffany’s,” and returns it to us with an ironic twist that almost conceals the subtle social provocation conveyed by the use of gold chains and bracelets that serve as noodles in the artwork. In fact, Antonia is depicted avidly eating, but always with great elegance, using Japanese chopsticks that replace the iconic cigarette holder, while maintaining the shape and grace between her sinuous fingers. The artist creates the artwork with a strong reference to their origins, embodying it with the bust of a Moorish head, which, although decontextualized for the portrayal of the character, maintains a strong connection to the historical authenticity of Sicilian culture through the acanthus leaf decorations of the turban, in this case strictly Tiffany-colored, and the typical crown of the Moorish heads.