Virginia

Art has the power to capture the complex facets of humanity, including the sin of wrath, within the context of the seven deadly sins. With “Virginia,” the chosen name of the artist, perhaps borrowed from the image of the famous writer Virginia Woolf, an artwork is created that offers a penetrating look at the hidden anger beneath the outward appearance of a woman. Virginia, depicted in a typical Sicilian Moor’s head, represents a contemporary woman of extraordinary beauty, attentive to the details of her image. Her well-kept face is embellished with makeup that accentuates the sensuality of her gaze. Her hair is contained in a magnificent turban adorned with acanthus leaves, fading in a range of colors from blue to yellow. At first glance, Virginia appears to be a happy and serene woman. However, the artist reveals the deep inner fracture hidden behind this impeccable exterior, emphasizing the gap between being and appearing, with a suggestive representation. The Moor’s head is decorated in two opposite halves, precisely to convey the authenticity of the conflict. On one side, it represents the exteriority, while on the other, we can grasp the deepest emotions, inner vulnerabilities, and silent pain hidden behind the mask demanded by society. Through details like the broken crown, the shattered necklace, and the total absence of color, the artist’s intention to provoke becomes clear, giving voice to our fears.

However, even in this sin, the artist alludes to a positive conclusion. The cracks are glued together with threads of pure gold, inviting the viewer to see that society has become more active than ever in providing concrete and valuable support to women who need help in mending the pieces of their vulnerabilities.

This artwork is a subtle social critique that offers a penetrating look at wrath, a sin that can burn within each of us.